Review: Sean2 Miles Mingles Blues With Hip-Hop and R&B On 'Farmhaven'
The Blues is the true music of the south, and with his latest EP, Farmhaven,…
C2C Sounds
Review: Theophilus London's "Bebey" Is Propped Up By Stellar Production
Trini-born Brooklyn artist Theophilus London can be described as many things — but generally run-of-the-mill isn’t…
Review: Mick Jenkins Delivers Soothing Vibes On 'The Circus' EP
When it comes to conscious rappers of the last decade, Mick Jenkins has positioned himself…
Review: Uncle Murda’s “Don’t Come Outside, Vol 2” Speaks To His Consistency
When it comes to keeping the same energy, not many artists have factually kept it…
Review: Denzel Curry Nearly Reaches Super Saiyan On ‘13LOOD 1N + 13LOOD OUT MIXX’
Carol City superstar Denzel Curry has mastered the art of metamorphosis. The 24-year-old rapper is…
Review: Tiffany Red’s 'Call Me Red, Vol. 1' Is A Collection Of Sure-Shot R&B Gems
There is more than one way into the music industry. For Philly native Tiffany Red,…
Review: Johnny Cinco Is No Aubrey Graham On 'Hood Drake' Album
It’s too early for it to feel like a new year, let alone a new…
Review: Sada Baby Gets Tough Behind The Mic On Solid 'Brolik'
Detroit’s own Sada Baby is one of those artists that just seems to put in…
Review: Westside Gunn's 'Flyest Nig@@ In Charge Mixtape Vol. 1' Is The Issue Day 1 Fans Deserve
With a handful of highly anticipated LPs already on the books for Griselda in 2020,…
Review: Roc Marciano Ends The Decade Blasting His Hazardous Grace On "Marcielago"
Throughout the eight albums he’s released since his 2010 debut Marcberg, Roc Marciano has never…
Review: Travis Scott's Crew Is Underserved On JACKBOYS' Self-Titled Compilation
Houston cult-like rap figure Travis Scott has a small team behind him at Cactus Jack…
Review: Fat Joe & Dre’s 'Family Ties' Is Not The Fadeaway Classic We Hoped For
Back in 2017, Fat Joe and Remy Ma’s album Plato O Plomo was one of…