Review: Lil Kim Revamps Her Bag On "9" Album
Lil Kim is a legend in Hip Hop, and there’s no question that her influence…
C2C Sounds
Review: Kanye West's "Jesus Is King" Is A Sunday Service That Needed More Soul
Kanye West has been down with religion on wax ever since he asked for God…
Review: Black Moon's "Rise Of Da Moon" Is A Respectable Comeback
Prone to intermittent album releases since their seminal 1993 debut Enta Da Stage, Black Moon’s…
Review: Gucci Mane's “Woptober II” Ain't It
With a massive back catalog and a hand in the careers of almost every notable…
Review: G-Eazy's "Scary Nights" EP Is A 26-Minute Turn-Up
For better or for worse, G-Eazy has become a mainstay within American suburbia. The Oakland-raised…
Review: Von Pea’s “City For Sale” Is A Satisfying Slice Of Creativity
It’s been a great year for fans of Tanya Morgan. First, Donwill dropped his Von…
Review: Skyzoo & Pete Rock’s “Retropolitan” Is A Brilliant Lyrical Ode To Old New York
It’s hard to imagine how an MC as lyrically elite as Skyzoo stays focused in…
Review: Wiz Khalifa Flies Through The Air With The Greatest Of Ease On "Freestyles Vol. 1" Mixtape
Wiz Khalifa. The Pittsburgh native has come a long way from the “Black & Yellow”…
Review: JPEGMAFIA’s “All My Heroes Are Cornballs” Is A Polished Cultural Statement Of Defiance
JPEGMAFIA won’t follow the trends. In a genre overcrowded by basic booming 808s and heavy…
Review: Gashi's Self-Titled Debut Bodes Both Skips & Slaps
Gashi might not be the talk of Twitter or the face of Instagram but the…
Review: Timbaland’s Artist Yung Tory Doesn’t Live Up To His Influences On “Still Here EP”
2019 has been a great year for Yung Tory. The Toronto rapper has notched a…
Review: EarthGang's Eclectic "Mirrorland" Is A Thoughtful Love Letter To Atlanta
There is something to be said for taking the time to let a project come…