Review: Stalley's Thoughtful 'Reflection Of Self: The Head Trip' Is Strictly For His Fans
Electing to leave a major label in pursuit of creative freedom is a stressful decision….
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Review: Guapdad 4000's 'Dior Deposits' Is A Spotty But Enjoyable Release
Even for a Hip Hop release, the number of luxury brands named on Guapdad 4000’s…
Review: “Inglewood High” Proves "Rhythm & Flow" Winner D. Smoke Is A Future Star
Compared to the other finalists of Netflix’s Hip Hop series Rhythm + Flow, D. Smoke…
Review: Danny Brown Is An Agent Of Chaos On “uknowhatimsayin¿”
“They thought I was gone, back from the grave” is the line Danny Brown uses…
Review: Jackson Wang’s “MIRRORS” Is A Heartfelt But Unoriginal Debut
As a member of the K-pop group GOT7, Hong Kong-born singer Jackson Wang has accrued…
Review: Lil Kim Revamps Her Bag On "9" Album
Lil Kim is a legend in Hip Hop, and there’s no question that her influence…
Review: Kanye West's "Jesus Is King" Is A Sunday Service That Needed More Soul
Kanye West has been down with religion on wax ever since he asked for God…
Review: Black Moon's "Rise Of Da Moon" Is A Respectable Comeback
Prone to intermittent album releases since their seminal 1993 debut Enta Da Stage, Black Moon’s…
Review: Gucci Mane's “Woptober II” Ain't It
With a massive back catalog and a hand in the careers of almost every notable…
Review: G-Eazy's "Scary Nights" EP Is A 26-Minute Turn-Up
For better or for worse, G-Eazy has become a mainstay within American suburbia. The Oakland-raised…
Review: Skyzoo & Pete Rock’s “Retropolitan” Is A Brilliant Lyrical Ode To Old New York
It’s hard to imagine how an MC as lyrically elite as Skyzoo stays focused in…
Review: Von Pea’s “City For Sale” Is A Satisfying Slice Of Creativity
It’s been a great year for fans of Tanya Morgan. First, Donwill dropped his Von…