Johnny Crown Delivers A New Visual off his Recent Album “CHOSEN”
Back in September, Johnny Crown released his new album “Chosen” and now returns with a visual for one of the LPs fan favorites, “The Lord’s Prayer.”
In “The Lord’s Prayer,” Johnny Crown embarks on an unapologetic journey through spirituality, cosmic awareness, and social critique. The track opens with the compelling lines, “Don’t sleep / Wake up / It’s time,” signaling a call to awaken to a deeper consciousness and framing the song as both a warning and an invitation to enlightenment. Crown challenges listeners to break free from conventional thinking and look beyond the constraints of earthly and societal boundaries.
Throughout the song, Crown deftly blends spiritual and extraterrestrial imagery. Lines like “Invite to micasa / But I might offend nasa” toy with the concept of hidden truths, suggesting that there are profound insights that lie beyond what mainstream institutions acknowledge. This juxtaposition of the earthly with the cosmic opens up a unique space where spiritual growth and cosmic exploration can coalesce, pushing the audience to question their own understanding of reality.
In a striking passage, Crown describes “Speeding through the galaxies / Like shooting stars looking for a crash spot,” capturing both the thrill and uncertainty of venturing into the unknown. His lyrics challenge earthly limitations and hint at a disdain for the “puppet” roles that societal and religious structures often impose. By boldly stating “Humans exist as puppets” and likening organized religion to “slavery,” Crown takes aim at the institutions that he perceives as inhibiting human freedom and potential.
The song’s hook, “Another force A.I. / Is bout of course play y’all / Preparing to cause chaos,” suggests a foreboding clash with technology or even a cosmic force, raising questions about humanity’s preparedness for such a challenge. Crown frames it as a moment that calls for “The Lord’s Prayer,” implying that humanity may need divine intervention—or at least a spiritual recalibration—as this impending chaos looms on the horizon.
In a standout moment of creativity, Verse 2 remixes the traditional “Our Father” prayer, shifting the invocation to extraterrestrial entities like “Arcturians, Ashtar Command, The Pleiadians.” This unconventional choice suggests that salvation may lie with advanced beings, not just earthly divinities, and taps into Crown’s fascination with cosmic forces as potential guides or liberators. Through this lens, the traditional notion of divinity is expanded to include those beyond our world who might offer wisdom or redemption.
Crown’s critical eye doesn’t spare religious institutions, as he points out the hypocrisy and control exercised through them. He captures this in the biting line, “The preacher telling ya / Keep making payments,” an indictment of religious systems that, in his view, profit from people’s devotion while keeping them in “fucking chains.” This verse underlines Crown’s conviction that change is essential, ending with the powerful directive: “Time to make new arrangements.”
Johnny Crown’s “The Lord’s Prayer” transcends the conventional by merging skepticism of societal structures with a cosmic imagination, encouraging listeners to contemplate what lies beyond the familiar. In challenging traditional spiritual systems and exploring the possibility of otherworldly intervention, Crown’s song creates a vision of spirituality unbound by earthly constraints—one where freedom, discovery, and enlightenment await those willing to journey through the cosmos.
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