Review: Gucci Mane's “Woptober II” Ain't It
With a massive back catalog and a hand in the careers of almost every notable…
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Review: G-Eazy's "Scary Nights" EP Is A 26-Minute Turn-Up
For better or for worse, G-Eazy has become a mainstay within American suburbia. The Oakland-raised…
Review: Skyzoo & Pete Rock’s “Retropolitan” Is A Brilliant Lyrical Ode To Old New York
It’s hard to imagine how an MC as lyrically elite as Skyzoo stays focused in…
Review: Von Pea’s “City For Sale” Is A Satisfying Slice Of Creativity
It’s been a great year for fans of Tanya Morgan. First, Donwill dropped his Von…
Review: Wiz Khalifa Flies Through The Air With The Greatest Of Ease On "Freestyles Vol. 1" Mixtape
Wiz Khalifa. The Pittsburgh native has come a long way from the “Black & Yellow”…
Review: JPEGMAFIA’s “All My Heroes Are Cornballs” Is A Polished Cultural Statement Of Defiance
JPEGMAFIA won’t follow the trends. In a genre overcrowded by basic booming 808s and heavy…
Review: Gashi's Self-Titled Debut Bodes Both Skips & Slaps
Gashi might not be the talk of Twitter or the face of Instagram but the…
Review: Timbaland’s Artist Yung Tory Doesn’t Live Up To His Influences On “Still Here EP”
2019 has been a great year for Yung Tory. The Toronto rapper has notched a…
Review: EarthGang's Eclectic "Mirrorland" Is A Thoughtful Love Letter To Atlanta
There is something to be said for taking the time to let a project come…
Review: Quality Control's "Control The Streets Volume 2" Showcases Their Strengths
Quality Control co-founders Kevin “Coach K” Lee and Pierre “Pee” Thomas have truly built up…
Review: Joyner Lucas Whiffs Badly On Long Overdue Debut 'ADHD'
Give Joyner Lucas credit — he created a rollout that pairs beautifully with his album’s…
Review: Bankroll Fresh Isn't Best Remembered On Posthumously Released 'In Bank We Trust'
Four years ago, Atlanta rapper Bankroll Fresh was shot outside of Street Execs Studios and…